The art of Spagery is the science of separation and recombination - solve et couagula - often referred to alchemical processes with plants. The very word spagery actually means "to separate and recombine" in its Greek etymology. Although it has a long standing history, the form as we know it today may be considered to have been fathered by Paracelsus, so it can be regarded as a "Paracelsian Medicine". So the main purpose of Spagery is to create alchemical remedies, using medicinal plants.
Spagery has seen somewhat of a renaissance since the 1970's, thanks to authors like Frater Albertus, Jean Dubuis and Manfred Junius, which has done their share in popularizing the old art. Several modern authors, as for example Mark Stavish or John Reid, have been tutored as pupils by one of these contemporary masters of Alchemy.
Spagery may be considered as a lesser form of Alchemy, and is often referred to as the "Minor Work" (Opus Minor) or "Lesser Circulation" (Circulatum Minor; not to be confused with the process of Urbigerus, although it also belongs to the spagyrical realm). It uses the same principles though as its older and greater brother - Alchemy - and is considered as a prerequisite to the mastery of the Great Work (Opus Magnum) and Major Circulation (Circulatum Major). Understanding the Lesser Work you will be able to unravel the mysteries of the Greater.
Spagery, or Plant Alchemy, gives the recipies to create herbal elixirs and the formula of creating a herbal stone, the so called "plant stone". As I previously stated, these elixirs and the plant stone have great remedic qualities as they enhance the curing abilities of the plant as a consequence of the spagyric process. In it the three Alchemical Principles - the Mercury (Spirit), the Sulphur (Soul), and the Salt (Body) - are separated in a preliminary process, whereafter the Salt is purified and then recombined anew with the essence (Sulphur and Mercury). All this aims at raising the vibratory pitch of the Prime Matter - the Plant in its original and fallen state - into a restored and heavenly state; the art of transmutation. These processes can be beautifully integrated and enhanced with Ceremonial Magic.
Preparation
To create spagryic elixirs, the following equipment is required:
1 Mason Jar
1 Mortar and Pestle
1 Knife
1 Long glass rod or metal spoon
1 Plant, chosen according to Planetary correspondence
1 One bottle of approximately 700 ml Alcohol distilled from wine (Spirits of Wine).*
1 Litre of distilled water
1 Flask with stopper
1 500 ml pyrex flask with neck and spherical base
2 500 ml pyrex vessels or beakers (measuring cups)
1 Retort w/tripod
1 Butane burner w/fuel
1 Heating apparatus: a gas stove, alternatively a electric hot plate
1 Balneum Arenae - a sand bath**
1 Glass funnel
1 set of Filtering Paper-lab grade, alternatively coffee filters
1 ceramic dish (resistant to very high temperatures) with lid (Crucible)
1 large cloth of linen
Note: *The Menstruum or Alkahest (i.e. the mercurial spirit) must consist of Spirits of Wine, never vodka. Any brandy may suffice but if you can find a brand which is crystal clear (like Grappa) its even better. Best of course is to distil wine yourself into a spirit but the simple retort won't suffice for that. To distil spirits you must have a full distillation train. Distillation is also an art into itself. So brandy is the easiest option.
**To prepare a sand bath, acquire a fine grained sand (for example as used in a aquarium) and pour it into in a large metallic heat resistant vessel.
1. Distil one litre of water using a simple retort on a tripod and butane burner. Store the distilled water in an air sealed flask and in darkness.
2. Choose a plant - the First Matter (Materia Prima) - according to the desired effect according to Planet and/or accepted quality of the plant. Pluck the plant by its roots during its corresponding Planetary day and hour. My personal recommendation is to cast a chart of the heavens (a horoscope) and select a time which is favourable according to the dignities of the planets, aspects, etc. Gather the plucked plant into a airtight jar and put it concealed from the sun.
3. Spread out the plant over a folded out newspaper. Let it dry in a moderate temperature and away from the rays of the sun. Let it dry for at least a week. Then put it into the air tight jar again as before.
4. Prepare your Oratory (your Temple space) as in the 0°=0° Grade on the Day of the Planet corresponding to the plant. Place the jar filled with the herb, together with the empty Mason Jar, mortar and pestle, and bottle with the Spirits of Wine on the Altar. Enter into the Oratory and work if possible by candle light from this point onward. Put on your robes and insignia. Perform banishings, purifications and consecrations of Hall and invocation of the Highest Divine Force. Do a preliminary invocation (i.e. the Opening by Watchtower) if an Adept. On the Planetary Hour, invoke the Planetary Force using the appropriate rites and implements. State the intention, i.e. the Goal of the Work. Perform a Middle Pillar Ritual.
5. Use a knife blessed ritually for this purpose, and chop the plant into parts as small as you can make them. Whilst doing this, have a prayerful state of mind, and envision the Goal of the work. Also be mindful of your Middle Pillar and draw L.V.X. down the Pillar to Malkuth when you inhale and up to Tiphareth and out through your hands while you exhale.
6. Having chopped the First Matter as finely as possible you now place the matter into the Mortar and grind it in parts with the Pestle. Again remember to focus strongly on the goal, and project the L.V.X. into the First Matter as you exhale.
Maceration
7. When it is ground as fine as you can make it, take the matter and place it in the Mason Jar. Pour the Spirits of Wine over the matter, until the alcohol is twice as high in the jar as the top of the matter. It is important to leave some air in the Jar, as the process of Maceration requires Air to enable a continuous circulation within the flask (i.e. the vaporization and the following liquidization) - a process of sublimation of the essence (i.e. Sulphur and Mercury) and subsequent cohobation. In this process the Soul and Spirit of the plant (its Sulphur and Mercury) are separated from the body (its Salt) through the agency of the Solvent or transferative medium (the Spirits of Wine - which also is a Mercury), i.e. the Alkahest or Menstruum.
8. Do another invocation over the Mason Jar. Trace a circle round it and then the appropriate Hexagrams, Hebrew characters and sigils. Purify with Water and Consecrate with Fire as in the opening. Cover and wrap the Jar with a sheet of linen
9. Set the wrapped Mason Jar in a moderately warm place (i.e. of normal room temperature), where it will not be disturbed. Leave the Tincture within the dark womb of the Mason Jar for as many weeks as the corresponding Planetary number (if you for example have chosen a Plant sacred to Jupiter, it should be in maceration for four weeks, if sacred to Venus, for seven weeks, etc.)
10. On each Planetary Day (with a weekly interval), and on its Planetary Hour, take out the Mason Jar and unwrap it. Shake it gently with large circulating (clockwise) movements. Put it again on the Altar and perform an additional Planetary invocation. Repeat the invocation over the Mason Jar, purify and consecrate, etc. Rewrap it and put it away again.
Separation
11. At the appropriate Planetary Day and Hour, take out the Mason Jar and unwrap it. Put it on the Altar and perform an additional Planetary invocation. Repeat the invocation over the Mason Jar, purify and consecrate, etc. Now open the Jar. The liquid will be Dark, as it has absorbed the Life of the plant.
12. Separate the Sulphur and Mercury away from the Salt. This is done by putting the funnel into a flask. Put a filtering paper in the funnel and pour the macerated solution over it; the essence (Sulphur & Mercury) will pour into the flask while the Salt will remain in the filter. Squeeze out all liquid from the filter. Put a stopper on the flask containing this part of the Elixir - the tincture. Put away the flask into a cabinet sealed from light; let no sunlight enter into the tincture at this juncture.
Calcination
13. Take up the dead matter - caput mortum - of the plant, and having placed it within your ceramic container (Crucible), place it upon your heating apparatus. Incinerate the matter with a match, so that the Salt may be refined into it's purest and living state by burning off the dead matter. The alcohol of your Mercury should fuel this burn for some time. Take the glass rod or spoon and poke the dead matter with it so that it will burn thoroughly. When it has finished burning - i.e. when all the alcohol has been combusted - turn on the stove at full heat and let the matter burn into a black ash. This process is called Cineration. (Note: The process of Cineration will emit lots of smoke, so take care to provide with good ventilation while you perform it.) When it is finished turn off the heat and let everything cool down.
14. Place the ash it in the Mortar and grind it down to a fine powder with the Pestle. Then pour it again in the ceramic container, put on the lid and place it on the stove anew and at full heat. Let it now burn into a grey ash. This may take several hours before you turn of the heat. Remember to use the most intense heat that you can apply. This is the process of Calcination proper.
15. Place the grey ash in the Mortar and grind it down again to a fine powder with the Pestle. Then pour it in the ceramic container and place it again on the stove and at full heat. Let it calcinate into a white ash, for as many hours as is necessary. When you are satisfied with the colour, turn of the heat and grind the white ashes with Mortar and Pestle. Scrape this off into a container and save it. The goal is to create as much white ash - the perfectly refined Salt (i.e. purified from the caput mortum) - as possible. But the refinement of the Salt doesn't end here. The purification of Salt must use both fire and water. After calcination (consecration with fire) of the Salts you must purify them with Water. This is done through filtering and "leaching".
Leaching and evaporation
16. To do this critical process you must use your distilled water. Fill a measuring cup (the pyrex vessel called a beaker) with distilled water and mix the calcinated Salts in the water (stirring with a glass rod or spoon). Then take a funnel and put another filter on it. Then pour the water through it and into another pyrex measuring cup or beaker. Make sure to press all water from the filter. Repeat this process (with new filters each time) until there is no longer any residue in the filter. The resultant must now be in one of the two pyrex vessels and the Salt fully dissolved in the distilled water (stir with the glass rod or spoon to make sure).
17. Then leach the filtered water . This is done by putting the glass vessel on a moderated heat (on the radiator for example, or putting the vessel in the sandbath and everything on the stove, using the lovest possible heat) and let the water evaporate until nothing remains but white Salt crystals. If they are not remaining white (i.e. discoloured) you may calcinate again and purify with water and leach anew. This is important. The Salt must be crystallic and pure white. Now you are ready for the coagula phase, i.e. of mixing the Salts with the essence (Mercury and Sulphur).
Digestion
18. Repeat the invocation as before (on the Planetary Day and Hour) and now recombine the separated and refined parts (the three Alchemical Principles of Sulphur, Mercury and Salt) into the pyrex flask (spherical with neck - the philosophical egg); put the Salt crystals in the flask and pour over it the combined essence (Sulphur & Mercury). Seal it hermetically with a stopper and stir the mixture, not with the rod or spoon but with gentle circulating (deosil) movements.
19. Again repeat the invocation over the flask, purify and consecrate, etc. Now place the flask in the prepared sand bath, and put everything on the stove and on the lowest possible temperature; the ideal temperature for digestion is approximately the temperature of the human body, not over 40° and not below 35° Celsius. Let it now digest for as many weeks as the Planetary number. If you aspire to produce a Plant Stone, instead of a Elixir, you could instead multiply the number of weeks by the number of the Planet. The pyrex flask (hermetically sealed) and a moderate source of heat (around the normal temperature of the body) in several weeks, which will create a continuous "circulation" (i.e. a continuous sublimation and cohobation - but within the flask) which will make the elixir more potent and the following digestion perhaps even create the much sought after "plant stone".
20. After the set time has elapsed, ending on the Planetary Day and Hour, turn of the stove and remove the pyrex flask from the sand bath. Remove the stopper and pour out the finished elixir or - by the grace of God - the Plant Stone. Place it within a specially marked bottle with stopper.
21. Take up a glass filled with mineral water and pour some drops into it using a pipet. Drink this Elixir, and then sit in meditation. Make careful record of the effects you feel in the physical and subtle bodies. You may experience visions as well, so take note of these. They will reveal much to you of the power invoked by the Elixir, and of the plant used in the Elixir it self. Afterwards take out the flask from the Oratory and store it in a dry and light sealed compartment
22. Perform a banishing of the Planet in question, lesser banishings and a licence to depart.
Note: Take a few drops of the Elixir in mineral water each morning prior to breakfast. If you have managed to produce a Plant Stone, you will have to make the test: put it in the Crucible on the stove and on full heat. The solid stone will now melt into a wax. Turn off the heat and the wax will solidify into a Stone again. To use it, scrape of a tiny bit (a few grams) and dissolve it into the mineral water before drinking.
Further Reading and Study
I recommend a thorough reading of the splendid web page of the Portuguese Alchemist Rubellus Petrinus. http://pwp.netcabo.pt/r.petrinus/Spagyrics-e.htm He covers the entire Ars Royale of outer Alchemy and Spagery, openly and explicitly in a authorative and initiated fashion you never will se the likes of anywhere else. He is a true master of the art.
There is also a spagyrical course by John Reid III on Adam MacLean's Alchemy Web Site which is supposed to be good.http://www.alchemywebsite.com/johnreid.html
Then there is the distinguished courses by Jean Dubuis (witten for the now defunct organization Philosophers of Nature) which can be purchased through Triad Publishing. http://www.triad-publishing.com/The course pertaining to this discourse is called Spagyrics (A Practical Course in Plant Alchemy).
Of the published literature there is of course the two prime classics:
Alchemist's Handbook: Manual for practical laboratory alchemy (Weiser, ISBN 0-87728-655-8), by Frater Albertus.
Spagyrics: The Alchemical Preparation of Medicinal Essences, Tinctures, and Elixirs (Healing Arts Press, ISBN 1-59477-179-0), by Manfred M. Junius. This book was use to be called Practical Handbook of Plant Alchemy in an earlier edition by Inner Traditions (ISBN 0-89281-060-2).
But I have to mention another and quite a new book, which I warmly recommend, as it contains much of the useful information in the other two prior works, but in a condensated and much more easily accessible format:
Alchemy (Weiser, ISBN 1-57863-379-6), by Brian Cotnoir. It's a brilliant work which even surpasses the other two in bits and parts. But I wouldn't want to be without Frater Albertus' and Junius' works either. So buy them all. They all contain a detailed tabulation of all plants according to Planetary rulership, the necessary missing key in the instructions above. There's also detailed instructions in the art of distillation, and the Circulatum Minor of Urbigerus, the next steps to master after success in this spagyrical process.
Ora et Labora!
In L.V.X., Life and Love
S.R.
